VFX
compositing.
From plate to final: CG integration, screen replacements, set extensions and cleanup comps, finished in Nuke and Fusion. Because roto, paint and tracking are under the same roof, whole sequences move faster.
VFX compositing
From plate
to final.
Compositing is where every upstream task has to come together. Because NVFX Studio handles roto, keying, paint and matchmove in-house, we can take a shot — or a whole sequence — from raw plate to final without the hand-offs that slow outsourced work down.
Our compositors work in Nuke and Fusion, inside your templates, colour pipeline and review process, so finals slot straight into your show and your supervisors see familiar scripts.
Send a single problem shot or a full sequence, and get comps back on deadline — with notes turned around overnight across time zones.
What we handle
- CG and element integration
- Screen and monitor replacements
- Set extensions and matte-painting integration
- Sky replacements
- Cleanup and fix-it comps
- Green screen composites
- Muzzle flashes, sparks and practical element comps
- Full-sequence finishing, roto to final
How it works
AI speed. Artist finish.
Every shot goes through the same supervised pipeline, inside a facility run to strict MPAA content-security guidelines.
- 01
Brief & breakdown
We review plates, elements and references, and bid per shot or per sequence.
- 02
Prep in-house
Roto, keys, paint and tracks are produced by our own teams — no extra vendors.
- 03
Comp
Compositors build shots in Nuke or Fusion inside your templates and colour pipeline.
- 04
Supervisor QC
Every shot is reviewed in context and at 1:1 before it's submitted.
- 05
Delivery
Finals, precomps or scripts in your format. Notes turned around overnight.
Deliverables & tools
Built for
your pipeline.
What you receive
- Final composites (EXR, DPX)
- Precomps and element passes
- Nuke or Fusion scripts on request
- Your naming conventions
Tools we use
- Nuke
- Fusion
- Silhouette FX
- PFTrack and Mocha
Security & QC
- MPAA content-security guidelines
- Closed production network
- NDAs on every show
- Supervisor review on every shot
Film & TV credits
On screens
you know.
A decade of invisible work on studio features, network television and documentaries — verified on IMDb.
Compositing FAQ
Questions producers ask.
Do you work in our Nuke templates and colour pipeline?
Yes. We work inside your templates, colour pipeline and LUTs, and follow your naming and delivery specs so finals slot straight into your show.
Can you handle a whole sequence end to end?
Yes. Roto, keying, paint, tracking and compositing are all in-house, so we can take a sequence from raw plates to finals without extra vendors.
Do you deliver the scripts as well as the finals?
On request. We can deliver final renders, precomps and element passes, or the full Nuke or Fusion scripts for your team to adjust.
How is compositing priced?
Compositing is bid per shot or per sequence, based on frame count, element count and complexity. Quotes are free, and you can start with a test shot.
Get a free quote
Send us
a shot.
Tell us about your show, your deadline and your problem frames. We usually reply within one business day — Monday to Saturday, 9:00–21:00 IST.