Paint &
wire removal.

Wires, rigs, markers, crew in the reflection, a logo that can't be cleared — we remove them invisibly, rebuild the background underneath and keep it consistent frame after frame.

Request a test shot.

Paint, cleanup & wire removal

Invisible fixes,
frame after frame.

Paint and prep is where shots are won or lost quietly. A removal that looks fine on one frame but boils or slides over twenty frames is worse than no fix at all, so every paint job at NVFX is built for temporal consistency first.

We rebuild backgrounds with clean plates, tracked patches and projections, match grain and lighting so the fix disappears, and use our proprietary AI removals to speed up the first pass on long or repetitive shots before artists finish them.

From stunt wire removal to cosmetic beauty work, you get finals that survive a full-screen review — delivered in your formats and naming conventions.

What we handle

  • Wire and rig removal for stunts and practical effects
  • Tracking marker removal
  • Crew, equipment and reflection removal
  • Logo, signage and branding removal
  • Dust, scratch and dead-pixel cleanup
  • Clean plate creation
  • Beauty and cosmetic fixes
  • Boom, shadow and continuity fixes

How it works

AI speed. Artist finish.

Every shot goes through the same supervised pipeline, inside a facility run to strict MPAA content-security guidelines.

  1. 01

    Brief & breakdown

    We review each plate, agree what is removed and how the background is rebuilt, and bid per shot.

  2. 02

    Track & plate

    Camera or surface tracks and clean plates are built so patches stick through the move.

  3. 03

    AI-assisted paint

    AI removals accelerate the first pass; artists paint, project and blend by hand.

  4. 04

    Grain & QC

    Grain and lighting are matched, then every frame is reviewed at 1:1 in motion.

  5. 05

    Delivery

    Painted sequences and clean plates in your format. Notes turned around overnight.

Deliverables & tools

Built for
your pipeline.

What you receive

  • Painted plate sequences (EXR, DPX)
  • Clean plates for comp
  • Grain-matched finals
  • Your naming conventions

Tools we use

  • Nuke
  • Silhouette FX paint
  • Mocha tracking
  • Proprietary AI removals

Security & QC

  • MPAA content-security guidelines
  • Closed production network
  • NDAs on every show
  • Reviewed in motion at 1:1

Film & TV credits

On screens
you know.

A decade of invisible work on studio features, network television and documentaries — verified on IMDb.

Challengers (2024) film poster
Challengers2024 · FEATURE
Boston Strangler (2023) film poster
Boston Strangler2023 · FEATURE
I Wanna Dance with Somebody (2022) film poster
I Wanna Dance with Somebody2022 · FEATURE
Spirited (2022) film poster
Spirited2022 · FEATURE
Charmed (2018–2022) TV series poster
Charmed2018–22 · SERIES
Brooklyn Nine-Nine TV series poster
Brooklyn Nine-NineSERIES

Paint & wire removal FAQ

Questions producers ask.

How do you make sure removals don't boil or slide?

We track the plate, rebuild the background with clean plates or projections rather than frame-by-frame cloning, and review every shot in motion at 1:1 before delivery.

Do you match film grain and noise?

Yes. Grain is removed where needed and re-applied or matched so painted areas are indistinguishable from the original plate.

Can you create clean plates for our compositors?

Yes. Clean plates can be delivered on their own or alongside the painted sequence, so your team can reuse them in comp.

How is paint and cleanup priced?

Each shot is bid individually, based on frame count, camera movement, and the size and complexity of what's being removed. Quotes are free.

Get a free quote

Send us
a shot.

Tell us about your show, your deadline and your problem frames. We usually reply within one business day — Monday to Saturday, 9:00–21:00 IST.

Emailcontact@nvfx.in Phone / WhatsApp (US & Canada line)(+1) 707-739-6839
StudioAhmedabad, Gujarat, India · MPAA-compliant
* Required · replies within 1 business day